1967 Grammy Awards
Updated February 21, 2017 | Factmonster Staff 
| Record of the Year | “Up, Up and Away,” 5th Dimension | |
| Album of the Year | Sgt. Pepper's Lonely Hearts Club Band, The Beatles (Capitol) | |
| Song of the Year | “Up, Up and Away,” Jimmy L. Webb, songwriter | |
| Best New Artist | Bobbie Gentry | |
| Best Vocal Performance, Male | “By the Time I Get to Phoenix,” Glen Campbell | |
| Best Vocal Performance, Female | “Ode to Billie Joe,” Bobbie Gentry | |
| Best Performance By a Vocal Group (Two to Six Persons) | “Up, Up and Away,” 5th Dimension | |
| Best Performance By a Chorus (Seven or More Persons) | “Up, Up and Away,” Johnny Mann Singers | |
| Best Contemporary Single | “Up, Up and Away,” 5th Dimension | |
| Best Contemporary Album | Sgt. Pepper's Lonely Hearts Club Band, The Beatles (Capitol) | |
| Best Contemporary Male Solo Vocal Performance | “By the Time I Get to Phoenix,” Glen Campbell | |
| Best Contemporary Female Solo Vocal Performance | “Ode to Billie Joe,” Bobbie Gentry | |
| Best Contemporary Group Performance, Vocal or Instrumental | “Up, Up and Away,” 5th Dimension | |
| Best Rhythm and Blues Recording | “Respect,” Aretha Franklin (Atlantic) | |
| Best Rhythm and Blues Solo Vocal Performance, Male | “Dead End Street,” Lou Rawls | |
| Best Rhythm and Blues Solo Vocal Performance, Female | “Respect,” Aretha Franklin | |
| Best Rhythm and Blues Group Performance, Vocal or Instrumental (Two or More) | “Soul Man,” Sam and Dave | |
| Best Instrumental Jazz Performance, Small Group or Soloist With Small Group | Mercy, Mercy, Mercy, Cannonball Adderley Quintet | |
| “Far East Suite,” Duke Ellington | |
| Best Country and Western Song | “Gentle on My Mind” John Hartford, songwriter | |
| Best Country and Western Recording | “Gentle on My Mind,” Glen Campbell (Capitol) | |
| Best Country and Western Solo Vocal Performance, Male | “Gentle on My Mind,” Glen Campbell | |
| Best Country and Western Solo Vocal Performance, Female | “I Don't Wanna Play House,” Tammy Wynette | |
| Best Country and Western Performance, Duet, Trio or Group (Vocal or Instrumental) | “Jackson,” Johnny Cash and June Carter | |
| Best Gospel Performance | More Grand Old Gospel, Porter Wagoner and the Blackwood Brothers | |
| Best Sacred Performance | How Great Thou Art, Elvis Presley | |
| Best Folk Performance | “Gentle on My Mind,” John Hartford | |
| Best Instrumental Arrangement | Alfie, Burt Bacharach, arranger | |
| Best Arrangement Accompanying Vocalist(s) or Instrumentalist(s) | “Ode to Billie Joe,” Jimmie Haskell, arranger | |
| Best Instrumental Theme | “Mission: Impossible,” Lalo Schifrin, composer | |
| Best Instrumental Performance | “Chet Atkins Picks the Best,” Chet Atkins | |
| Best Score From an Original Cast Show Album | Cabaret, Fred Ebb and John Kander, composers (Columbia) | |
| Best Original Score Written for a Motion Picture or Television Show | “Mission: Impossible,” Lalo Schifrin, composer | |
| Album of the Year, Classical (tie) | Berg, Wozzeck, Pierre Boulez conducting Paris National Opera; solos: Berry, Strauss, Uhl and Doench (Columbia) | |
| Mahler, Symphony No. 8 in E-Flat Major (“Symphony of a Thousand”), Leonard Bernstein conducting London Symphony Orchestra (Columbia) | ||
| Best Classical Performance, Orchestra | Stravinsky, Firebird and Petrouchka Suites, Igor Stravinsky conducting Columbia Symphony | |
| Best Chamber Music Performance | West Meets East, Ravi Shankar and Yehudi Menuhin | |
| Best Classical Performance, Instrumental Soloist(s) (With or Without Orchestra) | Horowitz in Concert, Vladimir Horowitz | |
| Best Opera Recording | Berg, Wozzeck, Pierre Boulez conducting Paris National Opera; solos: Berry, Strauss, Uhl and Doench (Columbia) | |
| Best Classical Choral Performance (tie) | Mahler, Symphony No. 8 in E-Flat Major (“Symphony of a Thousand”), Leonard Bernstein conducting London Symphony Orchestra | |
| Orff, Catulli Carmina, Robert Page conducting Temple University Chorus; Eugene Ormandy conducting Philadelphia Orchestra | ||
| Best Classical Vocal Soloist Performance | Prima Donna, Vol. 2, Leontyne Price; Francesco Molinari-Pradelli conducting RCA Italiana Opera Orchestra | |
| Best Comedy Recording | Revenge, Bill Cosby (Warner Bros.-Seven Arts) | |
| Best Spoken Word, Documentary or Drama Recording | Gallant Men, Sen. Everett M. Dirksen (Capitol) | |
| Best Recording for Children | Dr Seuss: How the Grinch Stole Christmas, Boris Karloff (MGM) | |
| Best Album Cover, Graphic Arts | Sgt. Pepper's Lonely Hearts Club Band, Peter Blake and Jann Haworth, art directors (Capitol) | |
| Best Album Cover, Photography | Bob Dylan's Greatest Hits, Roland Scherman, photographer; John Berg and Bob Cato, art directors (Columbia) | |
| Best Album Notes | Suburban Attitudes in Country Verse, John O. Loudermilk, annotator (RCA) |
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