1994 Grammy Awards
Updated February 21, 2017 | Factmonster Staff 
| Record of the Year | “All I Wanna Do,” Sheryl Crow |
| Album of the Year | MTV Unplugged, Tony Bennett (Columbia) |
| Song of the Year | “Streets of Philadelphia” (Theme from Philadelphia), Bruce Springsteen, songwriter |
| Best New Artist | Sheryl Crow |
| Best Pop Vocal Performance, Male | “Can You Feel the Love Tonight,” Elton John |
| Best Pop Vocal Performance, Female | “All I Wanna Do,” Sheryl Crow |
| Best Pop Performance By a Duo or Group With Vocal | “I Swear,” All-4-One |
| Best Traditional Pop Vocal Performance | MTV Unplugged, Tony Bennett |
| Best Pop Instrumental Performance | “Cruisin',” Booker T and the MG's |
| Best Pop Vocal Collaboration | “Funny How Time Slips Away,” Al Green and Lyle Lovett |
| Best Pop Album | Longing in Their Hearts, Bonnie Raitt (Capitol) |
| Best Rock Album | Voodoo Lounge, The Rolling Stones (Virgin) |
| Best Rock Gospel Album | Wake-Up Call, Petra (Dayspring) |
| Best Rock Song | “Streets of Philadelphia,” Bruce Springsteen, songwriter |
| Best Rock Vocal Performance, Male | “Streets of Philadelphia,” Bruce Springsteen |
| Best Rock Vocal Performance, Female | “Come to My Window,” Melissa Etheridge |
| Best Rock Performance By a Duo or Group With Vocal | “Crazy,” Aerosmith |
| Best Rock Instrumental Performance | “Marooned,” Pink Floyd |
| Best Hard Rock Performance | “Black Hole Sun,” Soundgarden |
| Best Metal Performance | “Spoonman,” Soundgarden |
| Best Alternative Music Performance | Dookie, Green Day |
| Best Rhythm and Blues Album | II, Boyz II Men (Motown) |
| Best Rhythm and Blues Song | “I'll Make Love to You,” Babyface, songwriter |
| Best Rhythm and Blues Vocal Performance, Male | “When Can I See You,” Babyface |
| Best Rhythm and Blues Vocal Performance, Female | “Breathe Again,” Toni Braxton |
| Best Rhythm and Blues Performance By a Duo or Group With Vocal | “I'll Make Love to You,” Boyz II Men |
| Best Rap Solo Performance | “U.N.I.T.Y.,” Queen Latifah |
| Best Rap Performance By a Duo or Group | “None of Your Business,” Salt-N-Pepa |
| Best Jazz Vocal Performance | Mystery Lady (Songs of Billie Holiday), Etta James |
| Best Jazz Instrumental Solo | “Prelude to a Kiss,” Benny Carpenter |
| Best Jazz Instrumental Performance, Individual or Group | A Tribute to Miles, Ron Carter, Herbie Hancock, Wallace Roney, Wayne Shorter and Tony Williams |
| Best Contemporary Jazz Performance | “Out of the Loop,” Brecker Brothers |
| Best Large Jazz Ensemble Performance | “Journey,” McCoy Tyner Big Band |
| Best Latin Jazz Performance | “Danzon,” Arturo Sandoval |
| Best Country Album | Stones in the Road, Mary Chapin Carpenter (Columbia) |
| Best Country Song | “I Swear,” Gary Baker and Frank J. Meyers, songwriters |
| Best Country Vocal Performance, Male | “When Love Finds You,” Vince Gill |
| Best Country Vocal Performance, Female | “Shut Up and Kiss Me,” Mary Chapin Carpenter |
| Best Country Performance By a Duo or Group With Vocal | “Blues for Dixie,” Asleep at the Wheel with Lyle Lovett |
| Best Country Vocal Collaboration | “I Fall to Pieces,” Aaron Neville and Trisha Yearwood |
| Best County Instrumental Performance | “Young Thing,” Chet Atkins |
| Best Bluegrass Album | The Great Dobro Sessions, various artists (Sugar Hill) |
| Best Traditional Soul Gospel Album | Songs of the Church—Live in Memphis, Albertina Walker (Benson) |
| Best Contemporary Soul Gospel Album | Join the Band, Take 6 (Reprise/Warner Alliance) |
| Best Pop/Contemporary Gospel Album | Mercy, Andrae Crouch (Qwest/Warner Alliance) |
| Best Southern Gospel, Country Gospel or Bluegrass Gospel Album | I Know Who Holds Tomorrow, Alison Krauss and the Cox Family (Rounder) |
| Best Gospel Album By a Choir or Chorus (tie) | Through God's Eyes, Thompson Community Singers; Rev. Milton Brunson, choir director (Word) |
| Live in Atlanta at Morehouse College, Love Fellowship Crusade Choir; Hezekiah Walker, choir director (Benson) | |
| Best Latin Pop Performance | “Segundo Romance,” Luis Miguel |
| Best Tropical Latin Performance | Master Sessions Volume 1, Chachao |
| Best Mexican-American Performance | “Recuerdo a Javier Solis,” Vikki Carr |
| Best Traditional Blues Album | From the Cradle, Eric Clapton (Reprise) |
| Best Contemporary Blues Album | Father Father, Pops Staples (Pointblank) |
| Best Traditional Folk Album | World Gone Wrong, Bob Dylan (Columbia) |
| Best Contemporary Folk Album | American Recordings, Johnny Cash (American Recordings) |
| Best Reggae Album | Crucial! Roots Classics, Bunny Wailer (Shanachie) |
| Best New Age Album | Prayer for the Wild Things, Paul Winter (Living Music Records) |
| Best World Music Album | Talking Timbuktu, Ali Farka Toure with Ry Cooder (Hannibal) |
| Best Polka Album | Music and Friends, Walter Ostanek Band (WRS) |
| Best Instrumental Arrangement | “Three Cowboy Songs,” Dave Grusin, arranger |
| Best Instrumental Arrangement With Accompanying Vocal(s) | “Circle of Life,” Lebo Morake and Hans Zimmer, arrangers |
| Best Instrumental Composition | “African Skies,” Michael Brecker, composer |
| Best Musical Show Album | Passion, Original Broadway cast (Angel) |
| Best Instrumental Composition Written for a Motion Picture or for Television | Schindler's List, John Williams, composer |
| Best Song Written Specifically for a Motion Picture or for Television | “Streets of Philadelphia” (From Philadelphia), Bruce Springsteen, songwriter |
| Best Classical Contemporary Composition | “Cello Concerto,” Stephen Albert, composer |
| Best Classical Album | Bartok, Concerto for Orchestra; Four Orchestral Pieces, Op. 12, Pierre Boulez conducting Chicago Symphony Orchestra (Deutsche Grammophon) |
| Best Chamber Music Performance | Beethoven and Mozart, Quintets, Daniel Barenboim, piano; Dale Clevenger, horn; Larry Combs, clarinet; Daniele Damiano, bassoon; Hansjorg Schellenberger, oboe |
| Best Classical Performance, Instrumental Soloist(s) (With Orchestra) | The New York Album (Works of Albert, Bartok and Bloch), David Zinman conducting Baltimore Symphony Orchestra; Yo-Yo Ma, cellist and alto violinist |
| Best Classical Performance, Instrumental Soloist(s) (Without Orchestra) | Haydn, Piano Sonatas nos. 32, 47, 53 and 59, Emmanuel Ax, pianist |
| Best Orchestral Performance | Bartok, Concerto for Orchestra; Four Orchestral Pieces, Op. 12, Pierre Boulez, conducting Chicago Symphony Orchestra |
| Best Opera Recording | Floyd, Susannah, Kent Nagano conducting Orchestra and Chorus of Opera de Lyon; solos: Studer, Hadley, Ramey and Chester (Virgin Classics) |
| Best Performance of a Choral Work | Berlioz, Messe Solennelle, John Eliot Gardiner, choir director, the Monteverdi Choir, Orchestra Revolutionnaire et Romantique and various artists |
| Best Classical Vocal Performance | The Impatient Lover (Italian Songs by Beethoven, Schubert, Mozart, etc.), Cecilia Bartoli, mezzo-soprano; Andras Schiff, piano |
| Best Spoken Comedy Album | Live From Hell, Sam Kinison (Priority Records) |
| Best Spoken Word or Non-Musical Album | Get in the Van: On the Road With Black Flag, Henry Rollins (Time Warner Audiobooks) |
| Best Musical Album for Children | The Lion King—Original Motion Picture Soundtrack, various artists (Walt Disney Records) |
| Best Spoken Word Album for Children | The Lion King Read-Along, original cast (Walt Disney Records) |
| Best Recording Package | Tribute to the Music of Bob Willis and the Texas Playboys, Buddy Jackson, art director (Liberty) |
| Best Recording Package—Boxed | The Complete Ella Fitzgerald Song Books, Chris Thompson, art director (Verve) |
| Best Album Notes | Louis Armstrong: Portrait of the Artist as a Young Man, 1923—1934, Dan Morgenstern and Loren Schoenberg, album notes writers (Columbia/Legacy/Smithsonian) |
| Best Historical Album | The Complete Ella Fitzgerald Song Books on Verve (Verve) |
| Best Music Video, Short Form | “Love Is Strong,” The Rolling Stones |
| Best Music Video, Long Form | Zoo TV: Live From Sydney, U2 |
| Producer of the Year (Non-Classical) | Don Was |
| Classical Producer of the Year | Andrew Cornall |
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