2007 Grammy Awards
Updated February 21, 2017 | Factmonster Staff 
The 50th Annual Grammy Awards were presented at Staples Center in Los Angeles on February 10, 2008.
| Record: | “Rehab,” Amy Winehouse |
| Album: | River: The Joni Letters, Herbie Hancock |
| Song: | “Rehab,” Amy Winehouse, songwriter (Amy Winehouse) |
| New Artist: | Amy Winehouse |
| Female Pop Vocal: | “Rehab,” Amy Winehouse |
| Male Pop Vocal: | “What Goes Around...Comes Around,” Justin Timberlake |
| Pop Duo or Group with Vocals: | “Makes Me Wonder,” Maroon 5 |
| Pop Collaboration with Vocals: | “Gone Gone Gone (Done Moved On),” Robert Plant & Alison Krauss |
| Pop Instrumental: | “One Week Last Summer,” Joni Mitchell |
| Pop Instrumental Album: | The Mix-Up, Beastie Boys |
| Pop Vocal Album: | Back To Black, Amy Winehouse |
| Dance Recording: | “LoveStoned/I Think She Knows,” Justin Timberlake |
| Electronic/Dance Recording: | “We Are The Night,” The Chemical Brothers |
| Traditional Pop Vocal Album: | Call Me Irresponsible, Michael Bublé |
| Solo Rock Vocal: | “Radio Nowhere,” Bruce Springsteen |
| Rock Duo or Group with Vocals: | “Icky Thump,” The White Stripes |
| Hard Rock: | “The Pretender,” Foo Fighters |
| Metal: | “Final Six,” Slayer |
| Rock Instrumental: | “Once Upon A Time In The West,” Bruce Springsteen |
| Rock Song: | “Radio Nowhere,” Bruce Springsteen, songwriter (Bruce Springsteen) |
| Rock Album: | Echoes, Silence, Patience & Grace, Foo Fighters |
| Alternative Music Album: | Icky Thump, The White Stripes |
| Female R&B Vocal: | “No One,” Alicia Keys |
| Male R&B Vocal: | “Future Baby Mama,” Prince |
| R&B Duo or Group with Vocals: | “Disrespectful,” Chaka Khan Featuring Mary J. Blige |
| Traditional R&B Vocal: | “In My Songs,” Gerald Levert |
| Urban/Alternative Vocal: | “ Daydreamin',” Lupe Fiasco Featuring Jill Scott |
| R&B Song: | “No One,” Dirty Harry, Kerry Brothers & Alicia Keys, songwriter (Alicia Keys) |
| R&B Album: | Funk This, Chaka Khan |
| Contemporary R&B Vocal Album: | Because Of You, Ne-Yo |
| Rap Solo: | “Stronger,” Kanye West |
| Rap Duo or Group: | “Southside,” Common Featuring Kanye West |
| Rap Sung/Collaboration: | “Umbrella,” Rihanna Featuring Jay-Z |
| Rap Song: | “Good Life,” Aldrin Davis, Mike Dean, Faheem Najm & Kanye West, songwriters; (J. Ingram & Q. Jones) (Kanye West Featuring T-Pain) |
| Rap Album: | Graduation, Kanye West |
| Female Country Vocal: | “Before He Cheats,” Carrie Underwood |
| Male Country Vocal: | “Stupid Boy,” Keith Urban |
| Country Duo or Group with Vocals: | “How Long,” Eagles |
| Country Collaboration with Vocals: | “Lost Highway,” Willie Nelson & Ray Price |
| Country Instrumental: | “Throttleneck,” Brad Paisley |
| Country Song: | “Before He Cheats,” Josh Kear & Chris Tompkins, songwriters (Carrie Underwood) |
| Country Album: | These Days, Vince Gill |
| Bluegrass Album: | The Bluegrass Diaries, Jim Lauderdale |
| New Age Album: | Crestone, Paul Winter Consort |
| Contemporary Jazz Album: | River: The Joni Letters, Herbie Hancock |
| Jazz Vocal Album: | Avant Gershwin, Patti Austin |
| Jazz Instrumental, Solo: | “Anagram,” Michael Brecker, soloist |
| Jazz Instrumental Album: | Pilgrimage, Michael Brecker |
| Large Jazz Ensemble Album: | A Tale Of God's Will (A Requiem For Katrina), Terence Blanchard |
| Latin Jazz Album: | Funk Tango, Paquito D'Rivera Quintet? |
| Gospel Performance: | “Blessed & Highly Favored,” The Clark Sisters and " Never Gonna Break My Faith," Aretha Franklin & Mary J. Blige (Featuring The Harlem Boys Choir) |
| Gospel Song: | “Blessed & Highly Favored,” Karen Clark-Sheard, songwriter (The Clark Sisters) |
| Rock Gospel Album: | Before The Daylight's Shot, Ashley Cleveland |
| Pop/Contemporary Gospel Album: | A Deeper Level, Israel And New Breed |
| Southern, Country, or Bluegrass Gospel Album: | Salt Of The Earth, Ricky Skaggs & The Whites |
| Traditional Soul Gospel Album: | Live - One Last Time, The Clark Sisters |
| Contemporary Soul Gospel Album: | Free To Worship, Fred Hammond |
| Latin Pop Album: | El Tren De Los Momentos, Alejandro Sanz |
| Latin Rock/Alternative Album: | No Hay Espacio, Black:Guayaba |
| Latin Urban Album: | Residente O Visitante, Calle 13 |
| Tropical Latin Album: | La Llave De Mi Corazón, Juan Luis Guerra |
| Mexican/Mexican-American Album: | 100% Mexicano, Pepe Aguilar |
| Tejano Album: | Before The Next Teardrop Falls, Little Joe & La Familia |
| Norteño Album: | Detalles Y Emociones, Los Tigres Del Norte |
| Banda Album: | Te Va A Gustar, El Chapo |
| Traditional Blues Album: | Last Of The Great Mississippi Delta Bluesmen: Live In Dallas, Henry James Townsend, Joe Willie "Pinetop" Perkins, Robert Lockwood, Jr. & David "Honeyboy" Edwards |
| Contemporary Blues Album: | The Road To Escondido, JJ Cale & Eric Clapton |
| Traditional Folk Album: | Dirt Farmer, Levon Helm |
| Contemporary Folk Album: | Washington Square Serenade, Steve Earle |
| Native American Music Album: | Totemic Flute Chants, Johnny Whitehorse |
| Hawaiian Music Album: | Treasures Of Hawaiian Slack Key Guitar, Various Artists |
| Zydeco or Cajun Album: | Live! Worldwide, Terrance Simien & The Zydeco Experience |
| Reggae Album: | Mind Control, Stephen Marley |
| Traditional World Music Album: | African Spirit, Soweto Gospel Choir |
| Contemporary World Music Album: | Djin Djin, Angelique Kidjo |
| Polka Album: | Come Share The Wine, Jimmy Sturr and His Orchestra |
| Musical Album for Children: | A Green And Red Christmas, The Muppets |
| Spoken Word Album for Children: | Harry Potter And The Deathly Hallows, Jim Dale |
| Spoken Word Album: | The Audacity Of Hope: Thoughts On Reclaiming The American Dream, Barack Obama |
| Comedy Album: | The Distant Future, Flight Of The Conchords |
| Musical Show Album: | Spring Awakening, Duncan Sheik, producer; Duncan Sheik, composer; Steven Sater, lyricist |
| Best Compilation Soundtrack Album for a Motion Picture, Television, or Other Visual Media: | Love, The Beatles |
| Best Score Soundtrack Album for a Motion Picture, Television, or Other Visual Media: | Ratatouille, Michael Giacchino, composer |
| Song Written for a Motion Picture, Television, or Other Visual Media: | “Love You I Do ” (from Dreamgirls), Siedah Garrett & Henry Krieger, songwriters (Jennifer Hudson) |
| Instrumental Composition: | “Cerulean Skies,” Maria Schneider, composer (Maria Schneider Orchestra) |
| Instrumental Arrangement: | “In A Silent Way,” Vince Mendoza, arranger (Joe Zawinul) |
| Instrumental Arrangement with Accompanying Vocals: | “I'm Gonna Live Till I Die,” John Clayton, arranger (Queen Latifah) |
| Best Recording Package: | Cassadaga, Zachary Nipper, art director (Bright Eyes) |
| Best Boxed Recording Package: | What It Is!: Funky Soul And Rare Grooves (1967-1977), Masaki Koike, art director (Various Artists) |
| Best Album Notes: | John Work, III: Recording Black Culture, Bruce Nemerov, album notes writer (Various Artists) |
| Historical Album: | The Live Wire - Woody Guthrie In Performance 1949 |
| Best Engineered Album, Non-Classical: | Beauty & Crime, Tchad Blake, Cameron Craig, Emery Dobyns & Jimmy Hogarth, engineers (Suzanne Vega) |
| Producer, Non-Classical: | Mark Ronson |
| Best Remixed Recording, Non-Classical: | “Bring The Noise (Benny Benassi Sfaction Remix),” Benny Benassi, remixer (Public Enemy) |
| Best-Surround Sound Album: | Love, Paul Hicks, surround mix engineer; Tim Young, surround mastering engineer; George Martin & Giles Martin, surround producers (The Beatles) |
| Best-Engineered Album, Classical: | Grechaninov: Passion Week, John Newton, engineer (Charles Bruffy, Phoenix Bach Choir & Kansas City Chorale) |
| Classical Producer: | Judith Sherman |
| Classical Album: | Tower: Made In America, Leonard Slatkin, conductor; Tim Handley, producer; Tim Handley, engineer/mixer (Nashville Symphony) |
| Orchestral Performance: | Tower: Made In America, Leonard Slatkin, conductor (Nashville Symphony) |
| Opera Recording: | Humperdinck: Hansel & Gretel, Sir Charles Mackerras, conductor; Rebecca Evans, Jane Henschel & Jennifer Larmore; Brian Couzens, producer (Sarah Coppen, Diana Montague & Sarah Tynan; New London Children's Choir; Philharmonia Orchestra) |
| Choral Performance: | Brahms: Ein Deutsches Requiem, Simon Rattle, conductor; Simon Halsey, chorus master (Thomas Quasthoff & Dorothea Röschmann; Rundfunkchor Berlin; Berliner Philharmoniker) |
| Instrumental Soloist with Orchestra: | Barber/Korngold/Walton: Violin Concertos, Bramwell Tovey, conductor; James Ehnes (Vancouver Symphony Orchestra) |
| Instrumental Soloist Without Orchestra: | Beethoven Sonatas, Vol. 3, Garrick Ohlsson |
| Chamber Music: | Strange Imaginary Animals, Eighth Blackbird |
| Small Ensemble Performance (with or Without Conductor): | Stravinsky: Apollo, Concerto In D; Prokofiev: 20 Visions Fugitives, Yuri Bashmet, conductor; Moscow Soloists |
| Classical Vocal: | Lorraine Hunt Lieberson Sings Peter Lieberson: Neruda Songs, Lorraine Hunt Lieberson (James Levine; Boston Symphony Orchestra) |
| Classical Contemporary Composition: | Made In America, Joan Tower (Leonard Slatkin, conductor; Nashville Symphony Orchestra) |
| Classical Crossover Album: | A Love Supreme: The Legacy Of John Coltrane, Turtle Island Quartet |
| Music Video, Short Form: | “God's Gonna Cut You Down,” (Johnny Cash) Tony Kaye, video director; Rachel Curl, video producer |
| Music Video, Long Form: | The Confessions Tour, (Madonna) Jonas Akerlund, video director |
| Lifetime Achievement Awards: | Burt Bacharach and Itzhak Perlman |
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