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Pownall, Thomas

(Encyclopedia)Pownall, Thomas pouˈnəl [key], 1722–1805, English colonial governor in North America. In 1753 he went to New York as secretary to Sir Danvers Osborn, newly appointed governor. Following Osborn's s...

Edgar Atheling

(Encyclopedia)Edgar Atheling ăthˈəlĭng [key] [O.E. ætheling,=son of the king], 1060?–1125?, English prince, grandson of Edmund Ironside. After the death of King Harold at the battle of Hastings in 1066, Edga...

Fiske, John

(Encyclopedia)Fiske, John, 1842–1901, American philosopher and historian, b. Hartford, Conn. Born Edmund Fisk Green, he changed his name in 1855 to John Fisk, adding the final e in 1860. He opened a law practice ...

Treat, Robert

(Encyclopedia)Treat, Robert, 1622?–1710, American colonial governor of Connecticut, b. England. He was taken to America when a child; his father was an early settler of Wethersfield, Conn., and a patentee of the ...

Scheler, Max

(Encyclopedia)Scheler, Max mäks shāˈlər [key], 1874–1928, German philosopher. He taught at the universities of Jena (1901–7) and Munich (1907–10), where he was influenced by Franz Brentano and the followe...

Ridley, Nicholas

(Encyclopedia)Ridley, Nicholas, c.1500–1555, English prelate, reformer, and Protestant martyr. In 1534, while a proctor of Cambridge, he signed the decree against the pope's supremacy in England. In 1537 he becam...

chapel

(Encyclopedia)chapel, subsidiary place of worship. It is either an alcove or chamber within a church, a separate building, or a room set apart for the purpose of worship in a secular building. A movable shrine cont...

Mortimer, Roger de, 1st earl of March

(Encyclopedia)Mortimer, Roger de, 1st earl of March, 1287?–1330, English nobleman. He inherited (c.1304) the vast estates and the title of his father, Edmund, 7th baron of Wigmore. Appointed lieutenant of Ireland...

aesthetics

(Encyclopedia)aesthetics ĕsthĕtˈĭks [key], the branch of philosophy that is concerned with the nature of art and the criteria of artistic judgment. The classical conception of art as the imitation of nature was...

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