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Copland, Aaron
(Encyclopedia)Copland, Aaron kōpˈlənd [key], 1900–1990, American composer, b. Brooklyn, N.Y. Copland was a pupil of Rubin Goldmark and of Nadia Boulanger, who introduced his work to the United States when she ...Gordy, Berry, Jr.
(Encyclopedia)Gordy, Berry, Jr., 1929–, African-American music-industry executive, b. Detroit. After stints in the army and as a professional boxer, Gordy opened a ...Berio, Luciano
(Encyclopedia)Berio, Luciano lo͞ochäˈnō bĕrˈyō [key], 1925–2003, Italian composer, b. Oneglia. After studying at the Milan Conservatory and working as a coach and conductor in Italian opera houses, Berio w...Nézet-Séguin, Yannick
(Encyclopedia)Nézet-Séguin, Yannick, 1975–, Canadian conductor and pianist. After studying piano at the Conservatoire de musique du Québec, Montreal, and choral conducting at the Westminster Choir College, Pri...Newman, Ernest
(Encyclopedia)Newman, Ernest, 1868–1959, English music critic. He joined the staff of the Manchester Guardian in 1905, the Birmingham Daily Post in 1906, the London Observer in 1919, and The Times of London in 19...nocturne
(Encyclopedia)nocturne nŏkˈtûrn [key] [Fr.,=night piece], in music, romantic instrumental piece, free in form and usually reflective or languid in character. John Field wrote the first nocturnes, influencing Cho...Peri, Jacopo
(Encyclopedia)Peri, Jacopo yäˈkōpō pĕˈrē [key], 1561–1633, Italian composer and singer. Dafne (c.1597), perhaps the first opera, was composed by both Peri and Jacopo Corsi. The librettist, Ottavio Rinuccin...Tatum, Art
(Encyclopedia)Tatum, Art tāˈtəm [key], 1910–56, American jazz pianist, b. Toledo, Ohio. Born with cataracts in both eyes, Tatum remained virtually blind for life. He read music in Braille, but his sensitive ea...Ruggles, Carl
(Encyclopedia)Ruggles, Carl, 1876–1971, American composer, b. Marion, Mass. Ruggles studied music at Harvard and was a friend of Charles Ives. His works are highly original, characterized by complex textures and ...rebec
(Encyclopedia)rebec rēˈbĕk [key], one of the earliest forms of the violin. It was pear-shaped, had from three to five strings, and possessed a strident tone. Its use, which began in the 13th cent., was to play m...Browse by Subject
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